Disclaimer: In exchange for this review, I received a pair of tickets to ‘South Side Stories’ from City Theatre. All opinions are 100% my own.
When you step into a small black box theater, you are certain of one thing – the show is going to be moving and intimate. Tami Dixon’s “South Side Stories” was exactly that.
To be fair for the review, I opted to not read up (much) on the play before my cousin and I attended. It was clearly a play based in Pittsburgh, the South Side to be exact, and I knew it was based on interviews that Dixon conducted with residents of the area. Other than that, I had no idea what would happen in the play.
We sat in the second row, very close to the stage without feeling like we were on top of the actors. Looking at the play book, I was shocked to read that Dixon would be the only character in the play. She would engage the audience for 80 minutes (no intermission) with her stories. I was impressed (and the play hadn’t even began).
Entering the theater singing a song about Pittsburgh, Tami immediately had the attention of every single audience member (for me it was the song, for others it may have been the warnings about “turning off yinz cell phones and opening them mints now, n’at”–a hilarious rule introduction that I’ve clearly paraphrased). She began the story with a story line that laced itself throughout the other story lines, one of finding personal meaning and belonging.
Each story had me associating the characters with someone I knew. It was “that accent” or “that experience” or “that place” that made the connection for me. I’m certain that someone who lived in the Southside would have connected better, but I am also just as sure that someone who was not a Pittsburgher (or didn’t know one-does anyone like that exist?) would not have connected to the play at all. And that’s an okay thing in my book – if you don’t get this city, well, then, too bad for you n’at.
What was best about the play was the way Tami was able to convey the different characters through voices, expressions, and body language. There was even a scene (Mikey, the Catholic school bad boy) where I thought she forgot who she was, but no, she just moved into another character in the line (Mikey’s mom). This was just incredible, and something you’d have to witness.
If you’re interested in checking out Dixon’s “South Side Stories”, you have until January 26 to get tickets from City Theatre. The play is in the Hamburg Studio with open seating (but there’s not a bad seat in the house). This is at least the second running of Dixon’s collection of stories gathered right on the South Side. I invite you to check it out and find your place in the story, too.
Disclosure: I attended City Theatre’s Media Night for Vanya and Sonia and Masha and Spikein exchange for a review on my blog. All opinions, however, are 100% my own.
City Theatre is opening their 39th season with the production of Vanya and Sonia and Masha and Spikethrough November 3, 2013.
“Vanya and his sister Sonia tolerate the mediocrity of their middle-aged lives in Bucks County, PA, until their movie-star sister Masha returns for a visit that shakes things up. With her boy-toy Spike in tow, Masha incites a madcap family reunion complete with all the comic genius that only Christopher Durang (Mrs. Bob Cratchit’s Wild Christmas Binge) can deliver.”
Vanya and Sonia and Masha and Spikewas the winner of the 2013 Tony Award® for Best Play and was written by Christopher Durang and directed by Tracy Brigden.
Greg and I were invited to attend press night – and it was also our first time to visit City Theatre. When I first went out to the City Theatre website, I took one look at a preview photo and anticipated we’d be laughing our way through this play – a great date night fit for us!
We were right. The story begins on the porch of the house Vanya, Sonia, and Masha grew up in, the house where Vania and Sonia cared for their elderly parents through death…and never left. On this day, just like any other day, they are looking for their good omen, the blue heron that frequents the pond behind their house. The pair (brother and adopted sister) eventually argue over coffee and Sonia dives into a “woe is me” phase that I just couldn’t help but identify with. Five minutes in, I knew the play was going to speak to us somehow.
Movie star sister Masha shows up with her (young) boy toy Spike and the hilarity begins. The family dynamic, the jokes, the reality of it all had me in a good laugh for most of the play. If you ask Greg, he might tell you my favorite parts were when Spike had his shirt and pants off, but he’s wrong (although his “reverse strip tease” is definitely something to be seen, ahem).
Throughout the weekend, housekeeper Cassandra warns the family, “Beware!”, foreseeing omens of trouble ahead. (Amirah Vann captivated me in this role – she was definitely a stellar pick for the role. Facial expressions, muscle movements, and tone all made her a perfect fit.) And there is trouble ahead-regarding the family home that Masha pays the bills on.
And ah, yes. Nina (the woman in the lower right). The neighbor’s niece, Nina runs into Spike while he’s out at the pond (Greg much?) and returns with him to meet Masha. She is an aspiring actress and ends up helping Vania share a big secret that he’s been hiding (more on that in a moment).
Following a night at a neighbor’s costume party, Vanya, Sonia, and Masha’s lives begin to change. They realize they are in their fifties and life just isn’t the same as it once was. For Masha, it’s been 5 failed marriages. Sonia’s led a lonely life and has hope that perhaps one day her prince will come. And Vanya, sweet “Uncle Vanya” (as named by Nina). He’s been in the shadows of a dramatic family all of his life and deserves a chance to speak his mind.
And Vanya gets that chance when Nina’s reading of the part of a molecule gets interrupted by Spike’s millennial multi-tasking. Actor Harry Bouvy presents a stellar monologue tirade about how generations do not understand each other and how things are so different now than they were back then. Greg and I kept whispering, “incredible!”, “amazing!”, and “wow!” throughout what must have been five minutes of Vanya having his moment. It truly was incredible, and I can’t really find another word to describe the part of the play I most identified with (specifically because this scenario may very well have recently happened in our lives).
Playwright Christopher Durang peppers references to characters and themes from Chekov, but it’s not necessary to understand Chekov’s work before you go. Trust me, you’ll still find yourself laughing out loud, perhaps shedding a tear, and identifying with someone in the play.
Greg and I have never been to a play together (okay, besides a kid’s play), and as we were seated talked about the last time we’ve been. It’s been all too long for both of us, and time we start scheduling more nights on the town like this. We may not have been theater majors, not fully understanding the references, lighting, costumes, and other aspects that others around us were watching for, but we had an amazing time. Pittsburgh’s quite lucky to have gotten their hands on this play that just left Broadway a few months ago.
Congratulations to director Tracy Brigden and the entire cast of Vanya and Sonia and Masha and Spike!
Here are the details for you to know if before you go:
Regular Run Schedule
Tuesdays and Wednesdays at 7pm
Thursdays and Fridays at 8pm
Saturdays at 5:30 and 9pm
Sundays at 2pm
Weekday matinees will be performed on Wednesday, October 23 and Wednesday, October 30 at 1pm.
There will be no evening performance on Wednesday, October 30.
Where: City Theatre, 1300 Bingham Street, Pittsburgh, PA 15203 (South Side)
Parking: (Because I always fret about this) Arrive early. There’s a lot just down the street from the Theatre with $7 parking, but it’s limited. Get there early, enjoy the lounge or the courtyard. There is no late seating, and you don’t want to miss this.